Performed on March 7th, 2019 at the Sharjah Art Biennial 14: Leaving the Echo Chamber. Sound work, paintings and installation remained on display through June 10th, 2019.
For the occasion of collaboration with Isabel Lewis and Matthew Lutz-Kinoy for the Sharjah Biennial 14, Hacklander-Hatam (of LABOUR) developed a spatial-compositional approach that guided the audience in sonic dramaturgy through a large physical area by encouraging both active listening and curiosity. Incorporating three adjacent rooms of a large out-of-use ice manufacturing factory and its surrounding area including its dirt parking lot, nearby sand ridges and main road, this work engaged and enlisted the sounds of the nearby nature reserve via extensive field recordings, the efforts of local Dubai-based musicians, and the duo’s own sound synthesis and percussion.
by: Isabel Lewis, Matthew Lutz-Kinoy & LABOUR (Farahnaz Hatam & Colin Hacklander)
curated by: Claire Tancons
sound, sonic dramaturgy and musical direction: LABOUR (Farahnaz Hatam & Colin Hacklander)
performance, concept, and direction: Isabel Lewis
paintings and ceramics: Matthew Lutz-Kinoy
sound synthesis: Farahnaz Hatam
field recordings: Colin Hacklander & Isabel Lewis
qanun: Nagham Debal
drumsets: Ziad Baig & Colin Hacklander
flute: Reemaz Al Oqbi
violin: Lydia Shepherd
drum ensemble 5-piece Ras Pinto Group: (Aya African Drum and Dance via Ghana)
production: Sharjah Biennial 14
special thanks to: Callie’s Berlin